COMICS: Top Ten

Well, maybe it's not a top ten list, so much as some of my favorite things about comics loosely grouped together.

BEST SINGLE ISSUE

You think I'm going to say Eightball #23, don't you? Everybody says Eightball #23. Well, as you know if you read my original review, I liked it just fine, I really liked it, in fact, but it didn't own my world. That distinction belongs to Street Angel #2. Possibly the single funniest comic I have ever read, bursting with insanely inventive characters and situations and rich and clever dialogue, with humor both subtle and slapstick, I simply loved every inch of this book. (Caveat: I'm not even 100% sure it was released during 2004; maybe it was late 2003. But 2004 is when I first read it. So there.)

Honorable Mentions: Yes, yes, Eightball #23. You happy? Also, New Frontier #5. That was the issue that finally got me into the series. After waiting four issues to click into what everyone else was raving about, issue #5 blew my socks off. It was the best mainstream, superhero-type single issue of the year (is that enough qualifiers?).

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FAVORITE WRITER

At the beginning of the year, I might've said Robert Kirkman or Brian Bendis. But some lackluster extracurricular projects (Kirkman's 2099 and Captain America and Bendis' Avengers Disassembled) kind of took the shine off both those apples. Now, I think there's no question it's Brian K. Vaughan, whose Y: The Last Man has long been my favorite continuing series, whose Runaways was entertaining if light, and whose new Ex Machina is tremendous, funny and controversial and creepy and original.

Honorable Mention: James Kochalka, whose American Elf is the best graphic novel of the year (or TPB, or whatever the hell you want to classify it as), and whose Peanut Butter and Jeremy collection was cute and touching and a pure joy (though I'm pretty sure it came out last year, but I read it this year. So there. Again).

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FAVORITE CONTINUING SERIES

I just said it, right above! Y: The Last Man, much like one of my favorite TV shows, Lost, has a fantastic overarching mystery, several smaller mysteries generated by the fantastic supporting cast, and the ability to create genuine suspense with each issue's cliffhanger.

Honorable Mentions: Street Angel, Fables, She-Hulk, Girl Genius, Invincible.

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THE GOOD, THE BAD, AND THE WHAT THE HELL?? OF GRANT MORRISON

The Good: We3, my favorite limited series, is just lovely, some of the best visual storytelling I've ever seen (which is what makes Frank Quitely my favorite artist), with an animal cast that's all too human. Can't wait for the finish.

The Bad: The first issue of JLA: Classified did nothing but irritate me. I have no desire to get the second issue.

The What the Hell??: I did get the second issue of Seaguy, and I wished I hadn't. I was even more lost than after the first. I didn't bother with the third. As I've said before, I don't mind being challenged by a writer, but it bothers me when it seems the writer is mocking me with nonsense.

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FAVORITE LIMITED SERIES

I just said it! We3! Pay attention!

Honorable Mentions: The New Frontier, Challengers of the Unknown, and of course, some other thing I'm probably forgetting.

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BEST SERIES I'VE ONLY READ IN TPB SO FAR

Hard Time, just edging out Sleeper.

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BEST TREND FOR THIS YEAR

Getting the "fun" back into "funny books". You can take your Identity Crisis and go sulk and brood in your dark and gritty comics world. My favorite books of the year made me laugh. Street Angel, of course, led the pack (except for the boring PSA that was issue #4), as did another new B&W indie series, the terrifically funny Scurvy Dogs. Phil Foglio's Girl Genius continued in its always reliable comedic ways. And even the Big Two were able to stop scowling long enough to release Plastic Man (which was uneven, but more than worthwhile; the more recent issues have really been great, especially the one with President Lex Luthor channeling Dubya by way of Woozy Winks) and She-Hulk (my favorite Marvel title right now).

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BEST TREND FOR NEXT YEAR

Everything old is new again. Grimjack, my favorite comic ever, is coming back! The news that Ostrander and Truman were reviving the long-dormant (due to legal issues) series was my single favorite moment in comics this year. Oh yeah. Also returning in '05: Mike Baron's Badger, Peter David's The Incredible Hulk, and Howard Chaykin's American Flagg! (the last in TPB form only, not new issues, sadly, but still, that's some good news).

POTPOURRI

I've been going very slowly through the Essential Amazing Spider-Man Vol. 6 collection, because, despite the fact that I think these stories may represent the height of Spidey's comic book popularity, encompassing many landmark events (like Gwen Stacy's death and the introduction of the Punisher), and may well be the era during which most long-term comics fans were first introduced to the character (I know the first issues I ever read as a kid are contained in this book)... where was I going with this?

Oh, yeah, despite how popular and iconic these issues are, they are just horribly, horribly, horribly written. Gerry Conway has to be one of the very worst writers in the history of comics. And I say that even with the painful memories of Todd McFarlane's Spider-Man still poisoning some small corner of my mind.

But what's worse, the way Conway writes Spider-Man, Spidey comes off as a world class asshole. He's always snubbing his friends, insulting Mary Jane when she's trying to cheer him up, abandoning his best friend Harry, who's in heroin withdrawal and whose father has recently been killed. But what's more, rather than stopping crime, he exacerbates it, actively preventing super-villains from curing themselves of their powers.

In two comics released the very same month (cover dated June, 1974), Amazing Spider-Man #133 and Giant-Size Super-Heroes featuring Spider-Man #1, Conway's Spider-Man stops Molten Man and Morbius (respectively) from obtaining the potential cure for their conditions.

In the former, Spider-Man basically pieces together what the Molten Man has been trying to do (gather ingredients needed to recreate what originally made him the Molten Man in an effort to halt the radioactive decay of his body -- radiation which, by the way, is far more deadly than he ever was in his pre-decaying state), but still engages him in battle, endangering police and other innocent bystanders along the way. (In one scene, Spidey actually clobbers two policemen who confront him, sending them into unconsciousness with, "Pleasant dreams... creeps!") As the Molten Man's death approaches, he cries,

"I only needed time--! Time to reverse the deterioration-- but Spider-Man wouldn't stop hounding me! [...] Now you've attacked me, when I was so close to success! I had all the elements I needed to cure myself-- all but one, and that one I stole this evening--! If I'd escaped, I could have rediscovered the formula that created this accursed golden shell... I could have saved myself if it hadn't been for--"

And what is Spider-Man's thoughtful response? "Sure you could have, Raxton-- and my name's Santa Claus!" What a Spider-Dick. Oh, by the way, in the ensuing fight, Spidey throws the Molten Man's precious ingredients into the river, which the Molten Man dives after; upon hitting the freezing water, the Molten Man explodes. Nice. Real nice.

In Giant-Size Etc., Morbius, "the Living Vampire," is trying to reach Professor Ward, a hematologist who has "developed a process to completely replace a person's blood". Clearly, Morbius is seeking a cure for himself. When he enters the professor's lab, he says, "I've been in Hell, Professor Ward... and I've come to you to release me!" Enter Spider-Man, who jumps in, fists swinging, rather than letting the completely non-threatening, non-violent Morbius use the prof's knowledge to help himself. In the fight, the professor's lab equipment is destroyed, leading a stricken Morbius to lament,

"Ward said that without it, his experiment was useless-- [...] You've caused me to destroy what might be my last chance, Spider-Man..."

And Morbius flees. But it turns out the professor's equipment is not destroyed; Spidey switched out the real stuff with spare parts. He planned not only to prevent Morbius from obtaining a cure, but also to make him lose all hope that a cure might ever be found. And then he blithely allowed Morbius to escape. In fact, he must have expected Morbius to escape; if he thought he could capture him, the elaborate ruse wouldn't have been needed. Dude! What is the point? Rather than cure him, or catch him, you deprive him of hope and set him loose? That won't cause any trouble, I'm sure. Dumbass.

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In the past couple days this site has been getting scads of hits from Johanna's Cognitive Dissonance. And I can't figure out why. I assumed she had linked to me (possibly to my year-end TV roundup, which seriously, that took a long time, do me a solid and at least skim it if you haven't already, and what, are you allergic to commenting?), but nope. No link, other than the sidebar. I guess she just gets a ton of traffic that also visits her sidebar links. Well, regardless of the reason: sweet. Hell, why don't you go check out her site when you're done here? Very nice comics reviews and links to be found there!

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I'm a little hesitant to continue the top ten lists this week, because for one thing, other than TV, I'm not sure what other field I could really make a definitive list for. I could go through all the movies I've seen this year (like Monty just did), but 1) I haven't seen all that many, and 2) I didn't see anything out of the ordinary. I mostly saw mainstream, blockbuster-type fare. Even Fahrenheit 9/11 was a blockbuster of sorts.

Books? I doubt I've read many more than ten books total this year. (Exclude children's books, like the Lemony Snicket stuff, and I'm probably down to single digits.) I've been very lax about my non-comic reading. I still haven't read that last damn Dark Tower book! I've only been waiting for the conclusion to the series for twenty years; what the hell is keeping me from getting to it?

And speaking of comics, I guess I could cobble some kind of list together, but I think I don't read as wide a variety of comics as I should to make a very interesting list, and I don't really have the recall to single out specific issues or landmarks from longer than about a month ago. I could name Street Angel and Eightball and American Elf and She-Hulk and Ex Machina and Girl Genius and Fables and We3 and Scurvy Dogs (and indeed I will, should I crack down and get to that list), but I can barely remember what happened last month in Y: The Last Man, let alone recall comics highlights from January. I'm a poor excuse for a comics fan.

Hey, I think I may just have written my top ten comics list, right there. Counting Y... yep, that's ten. Welp, that was easier than I thought! What, I should maybe do more commentary on those titles? Okay, maybe I will have a list to post tomorrow, after all.

COMICS: More Wed. 11/3/04

Avengers: Okay, for a reader as unfamiliar with the Avengers' history as I am, this issue was whole lot of "Who the what the??" The Scarlet Witch gave herself babies by magic, then that old woman made them disappear and made the Witch forget about them? All righty then. It worked for me that Wanda was the baddie, because sure, she used to be bad before, but what didn't work for me was Dr. Strange's assertion that due to her gaining her magic by being a mutant, rather than training, she was always on the brink of insanity. Nice effort at justifying her actions, but I just don't buy it. Oh, and good thing there were 8,000 superheroes to do all that nothing for most of the book.

JLA: Classified: We3 is the kind of story that makes me think Grant Morrison is a super genius. JLA: Classified is the kind of story that makes me think Grant Morrison is a pretentious blithering jackass.

Jubilee: I really get a kick out of this book. I liked the handling of the gang leader here, forcing his young crew member out of the gang because he had the potential to make something of himself. The change of heart probably came a little quickly, but on the other hand, at least it wasn't dragged out over six issues.

The Punisher: Now that's what I want to see! After that endless boring previous storyline, the new story starts off brilliantly, with a face-to-face between Nick Fury and Frank. I loved every word of that entire scene. Garth Ennis writes Nick Fury the way he ought to be, the way you'd expect a hardened, weary career soldier to speak and act. I realize Ennis has more latitude with the character in a Mature Readers book, but even without the plethora of profanity, he'd have Fury down pat. The ending was a little odd to me: the American military are sponsoring terrorists specifically to get Fury/Castle to do a job for them? Am I reading that right? More clarity next issue, I hope.

Superman/Batman: Eh. A little too deus ex machina with the teleporter, a little -- no, a lot too corny with Supergirl's introduction to everyone at the end. "THANKS, EVERYONE!" And I don't care how super Superman is -- there is still no oxygen in space. He can not have a conversation in outer space; sound does not travel in a vacuum. Not even the mighty words of Superman. And why the hell did they have to pretend Supergirl was dead if they were just going to imprison Darkseid on the far edge of the universe anyway? Why not just imprison him without all the rigmarole? Were they worried he'd escape and come back to get Supergirl if he knew she were still alive? Well, it's not much of a secret that she's alive anymore, is it? Or am I overthinking all this? Whatever. I think I'm done with this series.

Y: The Last Man: Kind of lame the way 355 allowed herself to get outmaneuvered in the exchange for Yorick's ring. But man, I love this series. And I love the San Francisco setting; I lived in the Bay Area for about ten years. They're getting all the details right about the City. For example, Candlestick is indeed on the corner of Fuck You and Go To Hell.

COMICS: Wed. 11/3/04

My list this week:

Astonishing X-Men
Avengers
JLA: Classified
Jubilee
The Punisher
Superman/Batman
Y: The Last Man

I've only read Astonishing so far. Just when this series was starting to grow on me, we end the storyline with this supremely boring anti-climax of an issue. The art is fantastic, and Whedon has some clever, funny lines, but the story as a whole has more padding than the last five Daredevil arcs combined. I stuck it out through the first story, and I'm done with it now. This officially gets dropped.

Also (and I don't know if this was supposed to be secret or not, so if it was, sorry guys), at the comic shop yesterday, Dorian and Mike showed me the ashcan edition of the upcoming Grimjack mini-series, Killer Instinct. (Thanks!) And it looks gorgeous.


(The picture's from Newsarama, not the ashcan.) I didn't want to read the whole thing and spoil it for myself, but it's got Cadre, and the Dancer, and it's set immediately following the Trade Wars, which was perhaps my favorite storyline in my favorite comic ever. If you have no idea what I'm talking about, do yourself a favor and check out the TPB of the old series and the first issue of the new series when they come out in January. Because this is going to kick about seven different kinds of ass.

COMICS: Colonia

The only comics I got on Wednesday were Jubilee, which I talked about yesterday; Superman/Batman/Batman/Superman (whoever gets top billing), which wasn't really worth the wait, and which made me wonder if Darkseid had Supergirl stretched on the rack before Superman showed up (or at least just her abdomen); and Y: The Last Man, which ended with a hell of a cliffhanger. Was the ring what was protecting Yorick all this time? (My guess: no. But it's a nifty coincidence.)

And I also got the TPB of Colonia (freshly restocked thanks to Mike). It's a collection of the first five issues of the ongoing series (which is apparently ongoing at a very slow rate, but what are you gonna do?), and it was a bundle of weird, cool, creative fun. I mean, look at the cover:


Yikes! I'm still not sure if that's a single creature with five heads, or a group of creatures with a single mind/animating force/what-have-you, but isn't it excellently creepy as hell?

I knew of creator Jeff Nicholson from his comedy series Father & Son (he also did Ultra Klutz, which I never got into). There's a lot of humor here, but it's primarily an adventure tale, set in an alternate world in which pirates still roam the seas in 1999, America is still the "New World", and it's not even called America -- it's Colonia, named after Cristobal Colon (or Christopher Columbus as most of us know him). Three people from our version of Massachusetts (a boy named Jack and his two uncles) slip-slide into this alternate world, and encounter a mess of pirates, as well as mermaids, headless ghosts, that walking fish thing in human clothes, and a talking duck named Lucy, who lays golden eggs.


The alternate history is intriguing and well thought out, and Jack's handling of this bizarre experience is smart and plausible, while his uncles bluster their way around with comedic results. And that talking duck seems to think there's something special about Jack, that he doesn't even realize himself. There's a load of story ideas here that could take this series in any imaginable direction.

The downside is, Nicholson isn't moving too quickly on this project; since 1999, only 11 issues have come out (the 11th just came out). It doesn't look like there are plans for another collection any time soon, so I think I'll be picking up some back issues next week. Too bad it'll probably be such a long wait till #12.

TV/COMICS: Smallville

I just noticed the ad on the back of the new Y: The Last Man. It's for Smallville, and it says:

"It was only a matter of time until... Lois."

Tom Welling is pictured up top, and in the lower left is a generically attractive girl I've never seen before, who presumably will be playing Lois. And at the very bottom it reads:

"Tom Welling Erica Durance SMALLVILLE"

Well, if that ain't a big "Screw you!" to everyone else on the show. Not only are Kristin Kreuk and Michael Rosenbaum -- you know, the actual stars of the show, been there for three seasons now -- not pictured, but this no name guest star, this total unknown, is actually being promoted as if she has second billing.

I understand the WB is trying to aggressively promote this new character to attract new viewers, but still, the treatment of the other actors is fairly unseemly. Hell, maybe there are no other actors anymore -- didn't they all either move to Europe or get blown up at the end of last season? Maybe they weren't bluffing.

COMICS: Wed. 8/4/04

I'm late on this week's comics reviews, but I have a valid excuse: I was absolutely overwhelmed with the sheer volume of new comics I purchased this week. I truly went overboard. I mean, here's the list:

1) Y: The Last Man

Oh, I guess that's it. So really, I have no excuse, and I'm just a lazy bastard.

Here's my review:

I liked it. Naked butts are funny. The end.

Okay, wait, I've got one or two other thoughts. Number one is, of course, what a great ending it was. After 25 issues, it's about damn time we saw what Beth was up to in Australia! Now, I just hope they don't drop her for another 25 issues. I get the feeling the next arc will feature Beth in a big way, though Dorian, for one, does not -- he tells me that solicitation info for the next issues indicates it's more adventures with Yorick, this time in San Francisco. Well, Vaughan can switch back and forth from Yorick to Beth, can't he?

Also, I get the feeling a lot of people were a little unhappy with this two-part story, but I enjoyed it, both for Yorick reaching a big milestone (the last man on Earth finally gets laid! Geez, Abe Vigoda would've gotten lucky before this guy), the shots Vaughan (via Beth #2) took at the Left Behind books in part one, and just the overall feel that this was a breather between bigger stories. It was a fine change of pace -- but I'm ready for something big to happen next.

Other stuff I bought:

Ultimate X-Men: The New Mutants TPB, which I haven't read yet. It's Bendis, I had to get it. It's a sickness.

PvP at large, which I have read, and which had me laughing out loud many times. Kurtz has a great cartooning style (although I noticed in this book that some of his lines look a little rough-edged, possibly due to transferring the strips from computer to print; I don't know for sure if he does all his art directly on the computer, but I kind of assume he does, which unfortunately results in a little pixellation-blur in the printing process), and the jokes are funnier for the characters' facial expressions (sometimes just a raised eyebrow works) and well-developed personalities.

The New Frontier, issues 4 and 5. I'd gotten the first and second issues because of all the wild praise they were getting, and I wasn't blown away. I dropped the book, but then Ian and Corey were raving about it at the store on Wednesday, so I decided to give it another shot -- no copies of #3 were to be found, though. I read #4 last night, and liked it better than the first two, but still, I'm not feeling the overwhelming love for it everyone else is. Maybe when I get all six, I'll appreciate it more. This is a lot of money I'm investing in a hunch (that I will gain appreciation for it); I mean, it's seven damn bucks a pop! I am looking forward to reading #5 tonight, because I know Hal Jordan is finally getting his Green Lantern ring, and I've heard all about the Wonder Woman/Invisible Jet sequence, which sounds really cool.

COMICS: Wed. 7/21/04

Slow week for me at the comic shop. Other than the Hush TPB I wrote about yesterday, I only got three comics, which is probably a change for the better; I've been spending way too much on comics recently. Yeah, like I'm really gonna cut back.

Plastic Man: Glad Kyle Baker is back. I think I'm going to enjoy this story more than his first arc. It's lighter, goofier, funnier, more enjoyable over all. No hint of that jarring darkness Baker introduced in the early issues: who wants to read a Plastic Man story involving the gut-wrenching death of his best friend Woozy Winks? (Sure, Woozy got better, but still -- it was Plastic Man with an edge, which is so wrong in every definition of the word.) Seeing Abraham Lincoln slap Wonder Woman's ass in this new issue was definitely worth the cover price.

Ex Machina: Good, smart stuff. And, hey, here's Abraham Lincoln again! Slightly different context, though. Now that was a bit shocking, wasn't it? I enjoyed that central debate -- is it right to censor something that has the potential to provoke actual violence? -- but it felt like an extended tangent, irrelevant to the story. Are they going anywhere with this? I also enjoy that the superhero costume only appears in flashback: I'd rather see how a superpowered mayor deals in politics, than see just another costumed hero. Brian K. Vaughan is now officially one of my favorite writers, with this and Y: The Last Man. I may even have to check out what he's done with Ultimate X-Men when the TPB comes out.

It took me forever to remember the third comic I got was Daredevil. That probably doesn't say much about its entertainment value. I don't like that Ben Urich's uninformed diagnosis that Matt Murdock had a nervous breakdown has been so readily accepted as fact -- especially when, if you buy that theory, it took years for the breakdown to manifest, it lasted for more than a year, and upon Urich's diagnosis, Murdock apparently instantly cured himself by driving away his wife. And I've tolerated it for so long, but I finally reached the breaking point this issue: Alex Maleev's artwork is ugly. It's an eyesore. It makes the book a chore to read. I unequivocally hate it. If I drop this book -- and I'm getting fairly close to doing so -- it'll be 10% because of Bendis' story, which is, as always, padded to the breaking point, as well as patently ridiculous (Daredevil declares himself Kingpin and crime in Hell's Kitchen disappears -- because I guess now he's really beating up criminals, as opposed to all those other years he only kind of beat up criminals), 90% that hideous art.

COMICS: Thurs. 7/8/04

I was going to do my comics post a day late this week, since they were released a day late due to the Monday holiday, but looks like I can squeeze this post in tonight. Four new comics this week; may contain spoilers for readers slower than I am.

Supreme Power: I've been borderline on this series for a while. The concept itself is, of course, a revision of an old rip-off of the JLA, and I've seen plenty enough of those as it is. And the story has been moving verrrry slowly. Almost Bendis slow. But things happened in this one that I liked: Mark Milton learns his secret origin! Several different versions, in fact, from the very unreliable and possibly insane Zarda (the Wonder Woman rip-off). Mark appears to doubt her assertion that she's from the same place he is -- but she's hot, naked (this comic has more boobs than Cinemax After Dark), and he's probably still a virgin, so looks like he's gonna let that slide for now. The dog. Also, the Batman and Flash rip-offs team up to find that there's yet another superpowered being out there -- a serial killing one. It was a good issue, so guess I'll be sticking around a while longer.

Powers: Speaking of Bendis... First issue of the reboot, now at new Marvel imprint Icon, rather than Image. Only thing that's changed is the little box on the cover; inside is still the same old badass Powers. Starts off with quite a shocker: Kutter, who could probably be described as the #3 character, gets killed in the traditional sudden and graphic Powers style. Walker and Deena are back together as partners, which is nice to see. Bendis' dialogue is as long-winded but hilarious as ever ("How'd he die?" "Dunno." "Don't be so technical."), but, unlike certain Bendis projects, stuff happens here. He basically reinvents the entire world within the comic in this one issue, plus has time for a nifty action scene, plenty of great dialogue and character moments, and a great reveal on the final page. Bendis' best series (out of, like, 87), and one of my top ten, if not top five.

Fantastic Four: Another of my favorites. I had never been much of an FF fan, outside of the Stan Lee originals, so I'm not really familiar with the "Frightful Four." But I get the feeling Mark Waid portrays them about as well as they can be -- after all, the Wizard, the Trapster, Salamandra, and Hydro are C-list villains at best. The way in which they defeat the FF is believable, and the reason why the Wizard doesn't kill them outright, which is always a stupid, Bond villain thing to do -- the reason he doesn't is kind of plausible, the way the character is portrayed. Waid's writing is funny and sharp, and I love the art. The only Marvels I buy are for the writers -- Marvel has great characters, but the writers have to know how to use them -- and Waid is now up there in that category with Peter David, Garth Ennis, J. Michael Straczynski, Brian Bendis, and a select few others.

Y: The Last Man: Another of my faves. Only bought four comics this week, and three of them are in my personal top ten. This one is in my top three, actually. Best thing about this issue: the slam against those dopey, non-"born again" bashing, crappily written, inexplicably popular religious screeds disguised as fantasy, the Left Behind series. Yorick is a great character, and he goes through a great deal of development this issue, dealing with his remorse over the woman he had to kill the previous issue, and allowing himself to finally let go of -- or at least, forget for a little while -- his girlfriend half a world away, whom he may never see again. It's just a great book.

I also picked up a Hopeless Savages collection (a funny book about a punk rock family), and the Three Strikes TPB (gritty crime drama), because of good Free Comic Book Day issues. The Three Strikes book I got because it's by the same team behind the Skinwalkers series, one issue of which I picked up as a leftover from last year's FCBD (come to think of it, the Hopeless Savages was a leftover, too), as well as on recommendation from Dorian, who's a fan of the creators. And I got the newest Ultimate Spider-Man trade, too -- for some reason, that's the one ongoing series that I only buy in trades. Bendis' habit of padding storylines in US-M is less annoying when you get the whole story at once, I guess.

COMICS: Weekly Wrap-Up

Finally got around to my leftover comics from Wednesday. Ex Machina gets off to a very interesting beginning, although the framing device, jumping back and forth in time, is more irritating here than when writer Vaughan uses it in his Y: The Last Man. I like the artwork from Tony Harris, previously of Starman. I'm hoping the comic sticks more to the political side of things, rather than jumping into costumed superhero stuff. A superpowered mayor, I've never seen. A superhero in a costume, I have. And Astonishing X-Men has failed to astonish me. It's just okay so far. The idiotic Cyclops costume continues to irk me. But at least the dialogue is well written, and Whedon is taking the characters in somewhat interesting directions -- Scott has lost his ability to lead, Hank may want to give up being a mutant. I'll probably stick with it for another issue or two.

I forgot to mention my impression of the new Doom Patrol by John Byrne. I'm not a huge Byrne fan; I think he can be good, but I don't think he has been for a while. His JLA run with Chris Claremont was horrible, painfully horrible. But I was still willing to give Doom Patrol a try, just for the hell of it -- until, while still at the comic store, with the issue in my hand, Mike mentioned that it proceeded directly from that JLA story. I think it actually shocked Mike that I instantly turned around, walked right back to the new comics shelf, and put the comic back on the rack. That is how much I hated Byrne's run on JLA, and that is also probably the last time I consider trying a Byrne comic just for the hell of it.

And don't forget, folks -- FREE COMIC BOOK DAY TOMORROW! Get 'em while the gettin's good!

COMICS: Wed. 6/30/04

Went to my friendly neighborhood comics shop Wednesday and wound up hanging out with employees Mike, Dorian, and Chris, as well as fellow comics fiends Corey and Ian, for a good hour and a half. Good times. One of our conversation topics was about our Irish chins, all of which (but Corey's) are oh-so-cleverly concealed behind facial hair. Chris, who isn't Irish, felt left out, but we all decided that half Mexican plus half Jewish equals Irish, and that seemed to cheer the lad right up.

Anyway. Only three new comics today, a light and inexpensive load for me, but I collected a bundle of back issues as well, and wound up putting a serious hurt on my bank account after all. Hooray?

• Batman: Harley and Ivy
  Part 3 of a 3-part mini. Another funny issue from Paul Dini and Bruce Timm, featuring Harley and Ivy's misadventures in Hollywood. Very reminiscent of the work the two did on the Batman cartoon -- but with a more adult slant. Which I think must be confusing parents and kids alike. A cursory glance reveals the same cartoony art style found in the children's comic Batman Adventures, but a closer look reveals:
  

  Lingerie shot. Lingerie shot. Panty shot. Panty shot. Bra shot. Ass shot. Panties around ankles shot. Shower shot. Shower shot. Shower shot. Panty shot. Partial bare boob shot. Panty shot. Panty shot. Towel shot.

  And so forth and so on. There's a reason this book isn't approved by the Comics Code Authority. It's very naughty, in an innocent way, if that makes sense. Good clean dirty fun.


• Invincible
  My favorite new series of the past year (or so) continues to satisfy. In the aftermath of last issue's brutal battle between father and son, an important new government agent character is introduced, Mark learns more about what his father did for a living, new relationships are formed, both inside and outside the superhero world, and Mark's got a new job. Which, after being so utterly betrayed by his father, seems like a foolish thing to jump into as blindly as he does, but hey, the kid's still learning. Robert Kirkman has quickly become one of my favorite writers, and Ryan Ottley continues to impress with his sharp, clean artwork. Invincible is one of my five current favorites.


• The Punisher
  After the amazing previous storyline, in which longtime Punisher ally Micro met his shocking, extremely graphic end at the hands (well, shotgun) of the Punisher himself, this new story feels like a muddled let-down. Something about the IRA and pirates on the East River and some old guy who cuts up people real good and a bomb expert who's missing nine-tenths of his face and a dreadlocked, gold-toothed gangster and oh, I just stopped caring. Maybe I was just tired when I read this issue, but it stopped making sense around page three. Too much plot getting in the way of the action, as Joe Bob would say.


• She-Hulk
  I've been hearing a lot of good things about this title -- "It's not what you'd expect!" -- so I finally broke down and bought the first four issues. (Corey was pleased that both I and Ian were buying it.) And it's a good fun book. The artwork is nice -- although, in some action sequences (such as the one with MODOK in outer space), it's a little hard to tell what's going on -- and the writing is clever and humorous. The book's about She-Hulk, after she's screwed up her life with excessive partying (losing her job and getting kicked out of the Avengers mansion in the process), getting hired by a prestigious law firm that handles supernormal clients -- but the catch is, they don't want She-Hulk, they want her non-powered alter ego, Jessica Walters. I have minor complaints about She-Hulk's/Jen's seeming inability to stand up for herself, whether it be against the Avengers or her bitchy new co-worker, and I think it's a little unlikely the Avengers would've gone straight to kicking her out of the mansion without having a talk with her first, but hey, you gotta get the plot and conflict somehow. And like I said, minor complaints. I've heard the book's in danger of cancellation. Which just figures, now that I've finally started liking it.

I also picked up Ex Machina (by Brian K. Vaughan, writer of Y: The Last Man -- another of my current favorites) and Astonishing X-Men, both of which I forgot to get last week. I've got nothing to add about them that hasn't been said already. (Oh, and also, I haven't read them yet.)

And on Corey's recommendation, I got an issue of Brit, by Invincible writer Kirkman, but I didn't read it yet, either. Possible follow-up post later today.