COMICS: Wed. 1/19/04

Madrox: This final issue wrapped things up better than I'd expected, but I still can't say the mini-series as a whole was entirely successful. There were some good character bits, but I just didn't care about the story at all, neither the main one involving Jamie nor the side-plot involving Rahne. I would sign on if Peter David established a new ongoing series with these characters, as the last part of the issue suggests will happen, but only because I know David can create great, interesting, funny stories with the characters, not because of any particular love for this mini.

Plastic Man: Had its moments, but mostly it felt like a rehashed Tom & Jerry cartoon. Hilarious punchline to the whole thing, though.

Wanted: Mark Millar finally brings the mini-series to a close with an interesting, fourth wall-breaking meta-premise (at least, the way I choose to read it): the shift to grim and gritty comics in the mid-to-late-80s actually occurred because the supervillains of the world defeated the pure and noble superheroes once and for all. All the brightness and fun of the comic book universe were replaced by darkness and deviance because the bad guys were victorious in remaking the world in their image. This, coupled with the cover's excellent mockery of Marvel's crass "Who's Next?" chart for Avengers: Disassembled:



...were highlights of a generally clever and certainly very different comic. The tears-and-teddy-bears parts of the story were heavy-handed, and wildly out of synch with the overriding cynical brutality of the rest of the issue and the mini-series as a whole, but things got back on track in the end, especially with Millar's giant "fuck you" to the reader on the final page. I'm still not a huge Millar fan, and this comic was sometimes hard to take, with its celebration of the concept of "freedom of choice" being used to justify rape, murder, and the general degradation of the species, but overall it was intriguing, inventive, and well-crafted.

Haven't read yet: Powers and Invincible. I also picked up the first Gotham Central TPB, continuing on my recent Ed Brubaker buying spree. Last week, I got the third collection of his excellent Catwoman series; terrific writing, especially in the second half of the book, which illustrated the breakdown of the characters' relationships following the tragic events of the first half, but good lord was the artwork in that second half awful. It was Javier Pulido's work, and it was just wretched. He's the reason I could never get into Peter Milligan's Human Target series -- I love Milligan's writing, but I could not stomach the artwork. I hate, hate, hate Pulido's art. Hate it.

And I got the collection of Charles Schulz's other cartoon, It's Only a Game. These were one-panel sports and games-related comics Schulz co-produced with Jim Sasseville from 1957 to 1959. I hadn't bought it before because, honestly, it hadn't looked very interesting, but I impulse-bought it this week. And after paging through it, I see my first instinct was right -- it's not very interesting at all. Sure, it's neat to see Schulz draw adults, but the humor is very weak, and, as a gag-based strip, there are no recurring characters or developing themes to hook me into it. I'm glad I have it, out of a completist impulse, but it's simply not very good.

COMICS: Wed. 12/8/04

I bought four comics. Two days later, I've still only read three of them. I'm slow.

She-Hulk: I love this comic. I prefer when Bobillo draws it -- something about that baby-faced She-Hulk, and his other non-traditional depictions of Marvel characters, really gives me a kick. But the writing is consistently entertaining no matter who's doing the art. I like the effort that goes into the minor characters. For example, I have to imagine no one has ever given as much thought to Titania as Dan Slott does this issue.

Powers: Nothing really happened this issue, did it? A lot of treading water. A lot of talk talk talk about whether it's right for heroes to challenge the law and use their powers openly. Then some nobody in a costume died, probably killed by a cop. Which might've been interesting, if they had actually dealt with it in this issue, instead of cliffhanging it. Pretty boring overall.

Punisher: I was a couple pages in, and one panel with Frank's face made me think, that looks like Bill Reinhold art. Which is unusual for me; I'm hardly an expert on artistic styles. But I was right, he's the inker. I had a little late '80s flashback, to when Reinhold was doing the art for Mike Baron's Punisher. As well as Baron's Badger. Those were the days. I wish Mike Baron were still writing comics. I mean, mainstream comics that have a future, not the ultra-obscure titles for mini-mini publishers that he seems to release once a year, which then disappear after the first issue (Faro Korbit, anyone?). In fact, he appears to have released a new book last month, The Detonator, which I've never even heard of. (It was scheduled for November, anyway; maybe it's not actually out yet.) And he's talking about a Badger revival for mid-2005. New issues of Grimjack and Badger scheduled for next year? Heaven!!

What was I talking about? Oh, yeah, Punisher. Pretty good issue.

Fables: Haven't read it.

Also picked up (but haven't read) the first TPB of Ed Brubaker's Catwoman. I'd been resisting this, because I bought the first couple-three issues when they first came out, then decided to drop the title. But Ian's enthusiasm for Brubaker's Sleeper recently got me to pick up the first trade of that series, and I really enjoyed it, so now I'm on a mini-Brubaker kick, I guess. Next up: Gotham Central.

COMICS: Wed. 10/13/04

After I complained yesterday about buying so many comics, I was very pleased that so many of them were so good.

The Hard Time TPB is excellent, as Dorian, Ken, and others have been saying all along. And it's such a great value -- ten bucks for six issues. It's a unique take on the superpower genre: a 15-year-old's powers manifest just before he's locked in prison, likely for the rest of his life. I had some quibbles -- why was he convicted in the first place, if even the cops (as his lawyer says) admit he never fired his gun, or at least why was he not convicted of a lesser charge, rather than the full murder counts; and, however much I appreciate his sarcastic humor, it's in no way believable that a kid could be so flip to the other convicts and not get killed 87 times before sundown on his first day, powers or not. But the rough situation, which I don't think has ever been portrayed so extensively, or so well, in mainstream comics before, and the sharply defined and interesting characters make this a fantastic read.

The Authority: More Kev: Good, funny stuff, especially the Midnighter's confrontations with idiot Kev. I'd be upset if someone threw a nuclear bomb in my face, too.

Demo: Eh. There was an interesting twist toward the end, but I wasn't invested enough in the characters to be shocked or say, "Whoa!" Instead, I think I said, "Huh." Let me go back: yeah, that was the extent of my reaction. "Huh." I doubt I'll get the next issue; might get the final issue the month after.

Fables: Very funny issue. The expression of Snow's face as she says, "A litter? I'm having a litter?" is just priceless. I'm glad Buckingham is back and the story is moving forward again.

Captain America: Limp ending to a lame arc. So it was a SHIELD-designed robot replica of Diamondback? Dude, whatever. One order of machina, extra deus on top. And what's with that ending: "Maybe we should just get a room." When did Steve Rogers turn into the Mack? Kirkman really disappointed me on this book.

She-Hulk: This continues to be one of my favorites. I love the non-traditional, but clean and appealing art. I love the humor. I love the characters. I love that after Jen finds Drax the Destroyer, the Silver Surfer, et al. have all been defeated already, she says, "We're gonna need a bigger boat." I love that the Silver Surfer's board has a splint on it. A splint! You know you've been in a fight when your surfboard needs a splint. This book is a big bundle of fun. Pick it up; don't let it get cancelled.

Challengers of the Unknown: Maybe I should've waited for the TPB. Chaykin's stories are packed with so much plot and characters, they just read better when you can go through them all at once. I think this was the best issue since the first, with plans and motivations revealed; I'm curious to see if Chaykin can wrap it all up satisfactorily in the one remaining issue. And what was with the Ann Coulter surrogate, Jan Boulton, quitting her job at the Fox News-type network? Was that explained in this issue, or was it set-up for the next?

Secret War: Three issues in and we still don't know what the hell is going on. I guess Bendis is planning on keeping the war a secret from the readers as well. The art is gorgeous; it's a shame it doesn't have a story worthy of it. What little story there is: I couldn't believe that four pages after the staples, the middle of the book, the story abruptly ended. The staples mean you've got half the book left, not four goddam pages. What a rip-off. And I really wasn't pleased that a phone transcript between Captain America and SHIELD, a conversation which was wisely left out of the main story because it was boring and pointless, took up seven goddam pages of the book. You're working my last fucking nerve, Bendis.

Powers: And yet I still enjoyed this book. Walker follows one sick and twisted false lead, and Pilgrim -- wow. That was one surprise ending. Well, it surprised the hell out of me, anyway. I think I need to cut my monthly Bendis intake back to this and... well, just this. (I already only get the TPBs of Ultimate Spider-Man.)

Ex Machina: Like She-Hulk, another book everyone should get. Smart, surprising, funny, cool, controversial. It's great stuff. The snowplow-driver serial killer storyline came to an unexpectedly sudden, and not entirely satisfactory end, but the bits with Kremlin, and the flashbacks, continue to fascinate me, as do the political maneuverings. This Brian Vaughan kid, he might have a career in comics.

COMICS: Holy Crap

I just topped the $70 mark at the comic store. Mother of pearl! That needs to not happen again any time soon. Over half of that is two TPBs; James Kochalka's American Elf, collecting the daily strips from his website for the last, like, 87 years -- seriously, it's a fat book, and priced to match ($29.95) -- and Hard Time, which many people have been recommending to me for a while now (and it's quite a bargain -- six issues for $9.95).

But then I got nine other comic books. Criminy! A year ago, I didn't buy nine titles total. Nine in one week is pretty damn excessive. For me, anyway. I bet I couldn't even name them all without looking. Let's try:

Powers
She-Hulk
Demo (because I didn't pick it up last week)
Captain America
Fables
Challengers of the Unknown
Ex Machina
Secret Wars

Um... I'm stalling out. That's eight, one left. Damn. I can tell you I didn't get Punisher; I'm still waiting for that awful, never-ending current story arc to wrap up (I think this was its last issue).

JESUS! This is just disgraceful. I'm spending money on titles I can't even remember two minutes after looking at 'em. I need to cut back on my comics purchases, and cut back hard. Okay, I can't stand the suspense, I'm gonna go look.

It was The Authority: More Kev. Well, at least that's the last of the four issue series. That's one off my list. And I was going to drop Captain America after this one, if I still didn't like Robert Kirkman's writing, but then Dorian told me that this is Kirkman's last issue anyway. "Oh good, I can drop it!" I said. "Ed Brubaker's writing it next," he said. "Crap," I said. Guess I'm not dropping it yet.

Man, looking at the first eight -- if I had to force myself to cut half of them, it'd be a tough choice. Okay, Cap would be pretty easy. Probably Challengers would be next (I'm guessing it'd read better as a TPB, anyway), then Demo (which I like, but don't absolutely love the way some bloggers seem to), and probably Secret Wars would be the last, because one Bendis title should be enough for any one week.

I've got a lot of comic reading to do tonight. Plus about 20 hours of Farscape on tape. Not to mention the TiVo backlog. And I still haven't finished the new Stephen King, or even America (The Book). I'm poor and friendless, I guess is my point. Bummer.

COMICS: Wed. 8/11/04

Bite Club: This one isn't really holding up in the long run. First Risa has her silly, kitty cat-inspired epiphany last issue; this issue Leto goes from good guy to bad way too quickly to be convincing. One minute he's a priest, next minute he's taking over the crime family, feeding the Monsignor to the crocodiles, giving his sister a hot kiss, and banging his old girlfriend. This book never transcended its "vampire gangsters" high concept the way I hoped it would.

Challengers of the Unknown: On the other hand, I think Chaykin's other book is getting better each issue. More backstory filled in, more frighteningly evil activity from the Fox News surrogates, and now this religious mysticism -- when she says "Holy Grail," is that a euphemism, or is that really the Holy Grail? I still couldn't name the five Challengers for you, but I'm fascinated by their story, and Chaykin's storytelling with his art is fantastic.

Captain America: I am really disappointed with this book. Kirkman's writing, which I enjoy so much elsewhere, is mediocre at best here. It's by turns corny, obvious, and dumb. Seriously, Diamondback slips a mickey into Cap's drink? That's the Red Skull's brilliant evil plan? Lame. And the SHIELD conspiracy is even lamer, falling for a trick from Red Skull more obvious than "Throw me the idol, I'll throw you the whip." And Batroc? What the? Laaaaaame. And what's with Batroc saying he's never seen Captain America so brutal? #1, Cap certainly is nowhere near "brutal" here, and #2, Batroc obviously missed those Marvel Knights issues where Cap was nothing but an intense, "brutal" downer. Kirkman is trying to make Cap lighter and more brutal at the same time, and you simply can't have it both ways. He's aiming for goofy, old school fun (I presume), but he's really missing the mark. I had high hopes for Kirkman coming over to Marvel; I'm still looking forward to his Marvel Team-Up, but much less so now.

SpyBoy: Pop Mhan's art looks different, and nowhere near as good as it normally does. Is it just me? Is it a rush job? Is the inker not quite getting his style? What? And this story seems off to me. Alex's grandfather and the SHIRTS agent seem surprised by the appearance of SpyBoy, when they really shouldn't be. And if SpyBoy is going after SpyGuy with extreme prejudice, why didn't he just shoot him when he had the chance? This story isn't coming together very well for me at all.

Fables: Now that's a hell of a next-issue teaser: Frankenstein vs. the Wolf Man! Cool. Too bad Mark Buckingham is off the art chores for this story; I can't tell one damn soldier from another. This issue is a decent enough interlude, but I'd rather get back to the main Fables action. This is only going to be a two-issue story, right?

Powers: Okay, we learn a little more about the new Retro Girl. Could she be the original Retro Girl's daughter? Could Walker be a daddy? I have no idea if that's the conclusion I'm supposed to be reaching or not. And Deena may be a badass in the interrogation room, but she really needs some lessons in her field work. She's always getting her ass kicked. Why would she go by herself to a superpowered suspect's door? An okay issue, mostly for the interrogation stuff, but not great.

It seems like I'm forgetting something. I usually do. Oh well.

COMICS: Wed. 7/28/04

Avengers: As a long-time non Avengers fan, I don't even know what to make of this. I'm totally buying it only because Bendis is writing it. Okay, before anything else, I have to say, TWO double-page spreads of the Avengers Mansion blowing up seems excessive. I barely know most of these characters, but Bendis does a decent job of giving them personalities before the shit starts to fly; the Hawkman/Madame Hydra bit is funny and believable, and got an extra kick from his turning it around on She-Hulk (even though I know from her own comic that she doesn't even live in Avengers Mansion anymore... details, details). So, Ant-Man's dead. Moment of silence, please (in which I try to remember who the hell Ant-Man is. I thought Hank Pym was Ant-Man. Who's this guy? Was he the guy dating Jessica a year ago in Alias?). And the Vision crashes into the Mansion, melts like the Wicked Witch of the West, and coughs up Ultron hairballs. Cool.

All that's interesting enough, but it's the personality changes in other characters that really intrigues me. What is making Tony Stark feel like he's drunk? What is driving She-Hulk berserk (and causing her to rip the Vision in half and pummel Captain America senseless -- which, as bad as the situation is, was still completely badass)? This issue has gotten me hooked. I'll stick around for more of this Disassembled nonsense, even though I hate crossovers and don't really care about the Avengers. By which I mean, I'll stick around for the books written by the good writers, like Bendis and Kirkman. (Assuming Kirkman's next issue of Captain America is better than his first.)

Powers: Am I supposed to remember who this new girl who's dressing up as Retro Girl is? Cause I don't. Is this a character that was introduced ages ago, or is she brand new, and I shouldn't feel bad about not recognizing her? Second issue of the reboot wasn't as excellent as the first; Oeming's art looks rushed in places, and Bendis draws out the interrogation scenes a little too long (Bendis padding a story? Shocking!). But it's still a good issue.

The Walking Dead: The new artist is starting to bug me. Tony Moore was so excellent at creating detailed, individual characters; with Charlie Adlard, I can hardly tell one character from another. Which bearded man is this? And Kirkman's foreshadowing was a little blunt: Carol is suddenly content, and accepting of things she had so recently condemned; I'm sure she's going to live a nice, long, happy life. As long as a zombie doesn't eat her face... oh, DAMN!! Didn't see that coming!!

Fantastic Four: This storyline had potential in the beginning, but I was disappointed with this finale. First of all, strange as it may be to say it, what with my constant criticism of the padding of Marvel arcs out to unnecessary lengths: this issue felt rushed and crowded; it might have been better with one more issue to wrap things up. Then again, that might only have added one more unenjoyable issue to the story. Waid seemed to lose his control of the villain characters; instead of the interesting individuals they started out as, they fell back into corny villain cliches at the end. I stopped caring about Cole and stopped believing in her mini-romance with Johnny. Glad there's a new story next issue.

Astonishing X-Men: Last week, it took me forever to remember one of the comics I had bought. Same thing this week, and this was the comic. Still not astonished by it. The art, yes; the art is gorgeous. But the writing... I want to like it, because it's Whedon, but I just don't. The conflict in this issue is especially contrived: I didn't for a second believe that Wolverine and Beast would attack each other full-out, claws bared, smashing through the walls of the school, because of that stupid serum. Not for a second. It was so blatantly, "we need a fight scene, who would it be cool to see fighting?" And would any student, anywhere, ever, actually ask a teacher, "Are you a fucking retard?" (And not get the shit kicked out of him.) I guess I'm sticking with this book because I want to believe it could be great, even though it isn't even close yet.

COMICS: Thurs. 7/8/04

I was going to do my comics post a day late this week, since they were released a day late due to the Monday holiday, but looks like I can squeeze this post in tonight. Four new comics this week; may contain spoilers for readers slower than I am.

Supreme Power: I've been borderline on this series for a while. The concept itself is, of course, a revision of an old rip-off of the JLA, and I've seen plenty enough of those as it is. And the story has been moving verrrry slowly. Almost Bendis slow. But things happened in this one that I liked: Mark Milton learns his secret origin! Several different versions, in fact, from the very unreliable and possibly insane Zarda (the Wonder Woman rip-off). Mark appears to doubt her assertion that she's from the same place he is -- but she's hot, naked (this comic has more boobs than Cinemax After Dark), and he's probably still a virgin, so looks like he's gonna let that slide for now. The dog. Also, the Batman and Flash rip-offs team up to find that there's yet another superpowered being out there -- a serial killing one. It was a good issue, so guess I'll be sticking around a while longer.

Powers: Speaking of Bendis... First issue of the reboot, now at new Marvel imprint Icon, rather than Image. Only thing that's changed is the little box on the cover; inside is still the same old badass Powers. Starts off with quite a shocker: Kutter, who could probably be described as the #3 character, gets killed in the traditional sudden and graphic Powers style. Walker and Deena are back together as partners, which is nice to see. Bendis' dialogue is as long-winded but hilarious as ever ("How'd he die?" "Dunno." "Don't be so technical."), but, unlike certain Bendis projects, stuff happens here. He basically reinvents the entire world within the comic in this one issue, plus has time for a nifty action scene, plenty of great dialogue and character moments, and a great reveal on the final page. Bendis' best series (out of, like, 87), and one of my top ten, if not top five.

Fantastic Four: Another of my favorites. I had never been much of an FF fan, outside of the Stan Lee originals, so I'm not really familiar with the "Frightful Four." But I get the feeling Mark Waid portrays them about as well as they can be -- after all, the Wizard, the Trapster, Salamandra, and Hydro are C-list villains at best. The way in which they defeat the FF is believable, and the reason why the Wizard doesn't kill them outright, which is always a stupid, Bond villain thing to do -- the reason he doesn't is kind of plausible, the way the character is portrayed. Waid's writing is funny and sharp, and I love the art. The only Marvels I buy are for the writers -- Marvel has great characters, but the writers have to know how to use them -- and Waid is now up there in that category with Peter David, Garth Ennis, J. Michael Straczynski, Brian Bendis, and a select few others.

Y: The Last Man: Another of my faves. Only bought four comics this week, and three of them are in my personal top ten. This one is in my top three, actually. Best thing about this issue: the slam against those dopey, non-"born again" bashing, crappily written, inexplicably popular religious screeds disguised as fantasy, the Left Behind series. Yorick is a great character, and he goes through a great deal of development this issue, dealing with his remorse over the woman he had to kill the previous issue, and allowing himself to finally let go of -- or at least, forget for a little while -- his girlfriend half a world away, whom he may never see again. It's just a great book.

I also picked up a Hopeless Savages collection (a funny book about a punk rock family), and the Three Strikes TPB (gritty crime drama), because of good Free Comic Book Day issues. The Three Strikes book I got because it's by the same team behind the Skinwalkers series, one issue of which I picked up as a leftover from last year's FCBD (come to think of it, the Hopeless Savages was a leftover, too), as well as on recommendation from Dorian, who's a fan of the creators. And I got the newest Ultimate Spider-Man trade, too -- for some reason, that's the one ongoing series that I only buy in trades. Bendis' habit of padding storylines in US-M is less annoying when you get the whole story at once, I guess.