Friday, September 05, 2008

Nerd Heaven, R.I.P.

Sad news this week: Star Trek: The Experience at the Las Vegas Hilton shut down on Sept. 1 after an 11-year run. This is sad not only because it indicates how weak the whole Trek franchise has become, unable to sustain a once wildly-popular attraction despite that J.J. Abrams reboot waiting around the corner, but also because ST:TE was one of the highlights of my first trip as a grown-up to Vegas, and one of my earliest entries at this here blog.

In honor of its passing, I here rerun that entry on Star Trek: The Experience (although I kept calling it The Star Trek Experience, which I guess is non-canon). I updated the broken link to Quark's Bar; it now leads to a PDF of the menu. From November 29, 2004, this is my tribute to Nerd Heaven.



Just back from my four-day weekend in Las Vegas*, my first visit there in my adult life, and let me tell you what: it is tremendous.

But let me skip for now the gambling, the drinking, the dinner at Wolfgang Puck's, the sighting of Wayne Newton (seriously!), the drinking, the George Carlin show, the half-naked ladies (one showgirl was wandering around the casino in a bikini bottom so small, you could see her birth control patch), and the drinking, and get straight to the highlight of the weekend, Nerd Heaven: The Star Trek Experience.

Conveniently located in the Hilton, where I was staying, TSTE is composed of two attractions, the Klingon Encounter and the Borg Invasion 4D. (And no, I don't know what the fourth D is. I only counted the usual three.) Both of them have live action performances in which actors lead the visitors to various areas for various scenes, finishing in a spacecraft-shaped auditorium with some incredible filmed sequences taking you into the action (much like Star Tours, if you've ever been to one of the Disney parks). The Borg one was better, I thought, mainly because it's more recent, and more technologically advanced; it's based around the Voyager series. The Klingon Encounter was still pretty damned entertaining; it's based around The Next Generation.

But neither show would've been as much fun if we hadn't visited Quark's Bar and Restaurant first. Did I say I was going to skip the drinking? Guess not. Oh my good lord was it fantastic. It's modeled after the bar from Deep Space Nine, of course, and the drinks, oh the drinks! Little ol' nerdy me had a James Tea Kirk (which was basically an Electric Tea, if you know what that is**); my two nerdy friends had Mind Melds, which were some kind of peach-flavored rum concoction. Then we had a round of Harry Mudds (a shot of kahlua, Buttershots Schnapps, cinnamon liqueur, and Bailey's, I think, which my friends claimed tasted like an Oatmeal Cookie, and I had no reason to doubt them), then two more Mind Melds and for me -- I can't recall the name (something nerdy), but it was Vanilla Vodka, Godiva Chocolate Liqueur, Buttershots, and cream; tasted like chocolate milk, with a hell of a kick. And then we got crazy. Two women from our group joined us, so we ordered the Warp Core Breach. This goddam thing is served in a fishbowl. A chunk of dry ice at the bottom of the bowl created a cloud of smoke pouring out of it. Kind of like this:

Bartender, I would like a BUCKET of alcohol, and don't skimp on the dry ice.

In fact, exactly like that, only purple. And don't let the scale of that photo fool you; that glass is big as a bowling ball. Then all five of us got straws about two feet long, and we got to business. What's in it? It was delicious, and had a blackberry taste to it; I couldn't really tell you more about it than that. It's in a goddam fishbowl. What more do you need to know?

We also got a visit from some of the in-character employees; two Ferengi had an argument next to us at the bar, and then a Borg came by, saying that he was on the station "for observation purposes only". We took some pictures with him, and he stayed totally in character; when one of the women commented on his lack of a smile, he said, "I am familiar with 'smile'." When we thanked him for the pictures, he said, "Acknowledged." Neeeerrrrrrrrd Heaven.

Then we three nerdy guys went back upstairs to go on the rides. Shows. Whatever you'd call them. The entryway was lined with an insanely detailed Trek timeline on one side, and a Trek museum (biggest in the world, they claim) on the other, filled with costumes, props, photos, etc. Normally the line would be so long, you'd have plenty of time to absorb it all; that day, there was hardly any line at all, and we were staggeringly drunk, not quite in the frame of mind to appreciate it all, so we zipped right through it (except for some reason my friend Scoot kept pointing out Guinan's costume).

The Borg Encounter was first. It started with a costumed crew member leading us into a room and showing us a video on the wall screen; it was the Doctor, from Voyager, telling us some malarkey about how we had all been summoned because something unique in our DNA was highly resistant to Borg probes. His spiel was mercifully interrupted by a Borg attack. Our crewmember escort summoned security, and we were ushered through various other areas, in which Borg appeared, and engaged in battle. We three drunken nerds were highly wrapped up in it all, laughing, screaming, telling them to shoot the Borg! Annoying? Possibly. But our thinking was, if they're going to go to the trouble of pretending there's a Borg attack, why not be courteous*** enough to pretend we believe it?

Then into the seating area. It was an impressively large set, with a giant front viewscreen, two smaller screens to either side, and a "hatch" on the ceiling. With our 3D glasses on, we were treated to a spectacular movie sequence, involving the section we were seated in being carved out of the space station by the Borg, and being brought aboard the Borg ship. The Borg then injected us with their nanoprobes, simulated by blasts of air on our faces and pokey-crawlies in our seat backs and seat bottoms (which made me giggle like the Pillsbury Doughboy). We were confronted by the Borg Queen (whom I suspected was played by Alice Krige, the actress who originated the role in First Contact; when I looked up her name on IMDb, I found that not only was it indeed her, but also that the Borg Invasion actually has its own entry, as does the Klingon Encounter).

Captain Janeway and the Starship Voyager eventually came to our rescue, after five or six minutes of the most realistic 3D effects I've ever seen. A final debriefing by the Doctor, and we were released back into the real world. Which we immediately abandoned for the Klingon Encounter.

This was more of the same; the story hinged on the Klingons abducting our group of tourists because one of us was supposedly Jean-Luc Picard's ancestor. We were rescued by the Enterprise, and taken aboard the ship's main bridge, which was so beautifully reproduced it made me as happy as a little girl. On the viewscreen, a filmed bit with Riker and Geordi appeared, to fill us in on the blah-blah-blah, and then we were taken into the turbolift and sent to a shuttle pod. When the door closed on the shuttle pod, Scoot began poking all the fake buttons on the wall next to him, prompting one of the employees spying on us to announce over the intercom that we shouldn't bother touching the console controls, because they were DNA-encoded to respond only to Enterprise crewmembers. We loved that. Neeerrrrrrd Heaven.

Then began the filmed sequence (non-3D this time), in which our pod alternately tried to escape from, and engaged in battle, various Klingon vessels, with the Enterprise by our side. We then got zapped back to Las Vegas, and the battle continued over the Strip, zooming over and around various Vegas landmarks. So cool. At the end, as we exited the shuttle pod, an employee directed us onto an elevator that would take us to the exit. All three of us drunken nerds cheerily engaged him in conversation, right up to the second the elevator doors closed, at which point one of the other tourists asked us, "Do they pay you to be here?" which cracked up the rest of the group. It seems our unbridled enthusiasm actually helped the other people to have a good time; everyone was laughing and smiling at the end. Which was nice. Ah, sweet, sweet alcohol: makes everything better.

*I started writing this post on the 22nd. So now I'm just back, plus a week.
**Even if you don't know what that is; frankly, your mixological knowledge has no effect on the drink, one way or the other.
***I.e., "drunk".

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Thursday, August 07, 2008

An Album For Every Year

Yep, I'm really going to do it! Following up on my two lists of my favorite movies for each year I've been alive, here is my stab at the same kind of list, but for albums instead.

I'm keeping this list much briefer: just my #1 pick and one runner-up, and that's it. Arbitrary rules: no reissues, no greatest hits compilations. Original albums in the original years they were released only.

Source: mostly here. It's not perfect. There are a couple of omissions I noticed here and there. Such as: no mention of Hoyt Axton. What do you got against Hoyt Axton, the Internet??? Anyhoo, hopefully I can cobble together a genuinely representative list of my musical tastes from this and a couple other resources, along with the meager assistance of my memory.

1970: Neil Young, After the Gold Rush
Runner-up: The Beatles, Let It Be

1971: The Who, Who's Next
Runner-up: The Doors, L.A. Woman

1972: Neil Young, Harvest
Runner-up: George Carlin, Class Clown

1973: Elton John, Goodbye Yellow Brick Road
Runner-up: The Who, Quadrophenia

1974: Hoyt Axton, Life Machine
Runner-up: Joni Mitchell, Court and Spark

1975: Pink Floyd, Wish You Were Here
Runner-up: Bruce Springsteen, Born To Run

1976: Hoyt Axton, Fearless
Runner-up: Billy Joel, Turnstiles

1977: Pink Floyd, Animals
Runner-up: Fleetwood Mac, Rumours

1978: The Who, Who Are You
Runner-up: Van Halen, Van Halen

1979: AC/DC, Highway To Hell
Runner-up: The Clash, London Calling

1980: AC/DC, Back in Black
Runner-up: Pete Townshend, Empty Glass

1981: Billy Joel, Songs in the Attic
Runner-up: Rush, Moving Pictures

1982: Pete Townshend, All the Best Cowboys Have Chinese Eyes
Runner-up: Bruce Springsteen, Nebraska

1983: Huey Lewis & the News, Sports
Runner-up: Def Leppard, Pyromania
Man, we are really into the '80s now!

1984: Bruce Springsteen, Born in the U.S.A.
Runner-up: Van Halen, 1984

1985: John Cougar Mellencamp, Scarecrow
Runner-up: The Pogues, Rum, Sodomy & the Lash

1986: They Might Be Giants, They Might Be Giants
Runner-up: Peter Gabriel, So

1987: Guns N' Roses, Appetite For Destruction
Runner-up: John Cougar Mellencamp, The Lonesome Jubilee

1988: Metallica, ...And Justice For All
Runner-up: They Might Be Giants, Lincoln

1989: Tom Petty, Full Moon Fever
Runner-up: Don Henley, The End of the Innocence

1990: They Might Be Giants, Flood
Runner-up: Sinead O'Connor, I Do Not Want What I Haven't Got

1991: Red Hot Chili Peppers, Blood Sugar Sex Magik
Runner-up: Matthew Sweet, Girlfriend

1992: Barenaked Ladies, Gordon
Runner-up: Lemonheads, It's a Shame About Ray

1993: Liz Phair, Exile in Guyville
Runner-up: Sheryl Crow, Tuesday Night Music Club

1994: Green Day, Dookie
Runner-up: Bad Religion, Stranger Than Fiction

1995: Smashing Pumpkins, Mellon Collie and the Infinite Sadness
Runner-up: Alanis Morissette, Jagged Little Pill

1996: The Refreshments, Fizzy Fuzzy Big & Buzzy
Runner-up: Tom Petty & the Heartbreakers, She's the One

1997: Foo Fighters, The Colour and the Shape
Runner-up: Green Day, Nimrod

1998: The Offspring, Americana
Runner-up: Barenaked Ladies, Stunt

1999: Red Hot Chili Peppers, Californication
Runner-up: The Pretenders, ¡Viva El Amor!

2000: Barenaked Ladies, Maroon
Runner-up: O Brother, Where Art Thou? soundtrack
I think I may actually not own a single other album released in 2000.

2001: Dropkick Murphys, Sing Loud, Sing Proud!
Runner-up: Tenacious D, Tenacious D

2002: Foo Fighters, One By One
Runner-up: Bad Religion, The Process of Belief

2003: Fountains of Wayne, Welcome Interstate Managers
Runner-up: Therapy?, High Anxiety

2004: Green Day, American Idiot
Runner-up: The Donnas, Gold Medal

2005: Foo Fighters, In Your Honor
Runner-up: Kathleen Edwards, Back To Me

2006: Tom Petty, Highway Companion
Runner-up: Me First and the Gimme Gimmes, Love Their Country

2007: Foo Fighters, Echoes, Silence, Patience & Grace
Runner-up: Fountains of Wayne, Traffic and Weather

2008: Kathleen Edwards, Asking For Flowers
Runner-up: Foxboro Hot Tubs, Stop Drop and Roll!!!



I'm probably overlooking a few of my faves by mistake. But that looks pretty good as is. I'd listen to that jukebox!

Some years were very difficult to narrow down -- I hated to have to leave out Sugar's brilliant Copper Blue and Tori Amos's Little Earthquakes for 1992, or Therapy?'s Troublegum and They Might Be Giants' John Henry for 1994. Some years, I had trouble finding a runner-up at all. Mostly 2000 and on. My music-buying dropped way off around that point.

And there are obviously a lot of names which kept popping up. A lot. What can I say? I find what I like and I stick with it. Nothing wrong with that, dang it, so lay off. If you think you're so darn smart, why don't you go and make your own list?? Smart guy.

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Monday, December 06, 2004

IN CONCERT: George Carlin

I saw George Carlin at the MGM Grand in Las Vegas last month. And it's taken me a while to get around to writing about it. The basic story is: I enjoyed it a great deal, I laughed a lot, I was thrilled to see my favorite comedian in concert. But he didn't really do an awful lot to merit my positive reaction.

George Carlin is one of my personal heroes. He's been using his comedy to tear apart hypocrisy in religion, politics, race, class, and language itself since before I was born. I've always admired his humor, his honesty, his integrity*, his insight, and even his anger. I admired the way he used his anger to craft scathing indictments** of those in power, the way he focused his rage into productively destructive comedy routines about the ignorant, the greedy, the insincere.

But in the past few years, the anger has seemed to swallow him. His comedy routines have become more and more centered around relishing the pain and suffering of others. His enjoyment of other people's misery and death seems to have become a staple of his act. And it's outrageous, what he says, it's shocking, and it still makes you laugh, startled laughter borne of sheer jaw-dropping amazement at his gall to make punchlines out of, say, terminal diseases, or various methods of suicide.

And I did laugh. Hell, I might've laughed more than anyone else in the theater; there were a number of long, awkward stretches with only scattered nervous chuckles. He was relentless, both in his choice of material and his delivery style -- machine-gunning his words at the audience, a rapid-fire barrage of speech that was magnificent to behold. Whatever quibbles I may express about him, whatever anyone may say about him, there is no question that he is a master craftsman, who has honed the tools of his comedy to razor sharpness, and he is a brilliant artist with the English language, constructing and deconstructing it in a dizzying fashion, using it as a teaching instrument and a weapon. For that alone, I am truly grateful to have seen him live. (He was clearly still developing this particular act, though -- he even told us he was working out routines for his next HBO special; at several points, he referred to written notes, though he never broke stride in his delivery.)

But, as I was saying about his material -- I began to wonder if he even wanted to make us laugh, or if he thought it would be even funnier to make us uncomfortable. I have an angry streak and a pretty sick sense of humor, so I was with him pretty much the whole way. But there were a number of people around me who were clearly discomfited by his dwelling on the death tolls of serial killers or natural disasters, people who probably were expecting him still to be talking about the "Seven Words You Can Never Say on Television". Saying "piss" doesn't shock anyone anymore. Saying you sincerely hope the planet is struck by a meteor does.

But as crazy and outrageous and shocking as he wanted to be -- and he was all those things, to me, and to everyone else in the audience, judging from their reactions -- he also often seemed to be going through the motions. Like he just decided, "This death obsession thing is working, I'm gonna run with it." His bit about the methods of suicide, for example, just seemed to go on forever. I could feel some of the audience slipping away: "Uh-huh, uh-huh, ropes are better than guns... that's kind of funny, in a sick way, but isn't he going to talk about how you can't say 'shit' on TV?" I mean, death isn't all he talked about; he hit on a lot of topics. But at the end, it's the death stuff that sticks with you.

I laughed, but after the show, I wondered if he had really earned those laughs, if I hadn't heard all this same anger before. Because his anger has developed through the years, cycling through targets, growing in scale, and his comedy has developed with it. Until he finally seemed to reach this critical mass of anger a few years ago, when he started hating the human race as a whole, and not just particular people in it. He just seemed to decide no group or groups of people were the problem, humanity was the problem. And he started wishing death to everyone. And where does his anger -- and his comedy -- go from there?

His comedy has gone through two quantum leaps in his career; once, around '69 or '70, from the Ed Sullivan-appearing, tie-wearing straight to the long-haired, foul-mouthed hippie, and once, early-to-mid-'90s, I'd say, from worn-out hippie to revitalized elder statesman, re-energized and refilled with vim and vigor, piss and vinegar. (Possibly that had something to do with getting the IRS off his back -- refer to the link in my first footnote below.) If he's going to remain a viable voice, I think his comedy needs to grow yet again, beyond this rut of death and destruction he's in.

There is no greater comedian in the world than George Carlin. I could not believe that more firmly. In fact, in my eyes, there has never been a greater comedian. Some will argue and suggest Richard Pryor, Bill Hicks, Lenny Bruce, Andy Kaufman, Bob Saget***, and obviously they're all super-geniuses, giants in comedy and in the world at large. But for me, for my personality, for my sense of humor, for my love of the language, and yes, for my anger, there's only George Carlin. And I believe he can continue to stay on top for years to come. But not if he continues in the same vein as his current act.



*Let's just pretend he never made those 10-10-220 commercials. And if you can't pretend, here's his reasoning on why he did those commercials, in an interview conducted with a financial website, of all things.
**Is there any other kind of indictment?
*** That's a typo. I meant Dave Coulier.

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Monday, November 29, 2004

Nerd Heaven

Just back from my four-day weekend in Las Vegas*, my first visit there in my adult life, and let me tell you what: it is tremendous.

But let me skip for now the gambling, the drinking, the dinner at Wolfgang Puck's, the sighting of Wayne Newton (seriously!), the drinking, the George Carlin show, the half-naked ladies (one showgirl was wandering around the casino in a bikini bottom so small, you could see her birth control patch), and the drinking, and get straight to the highlight of the weekend, Nerd Heaven: The Star Trek Experience.

Conveniently located in the Hilton, where I was staying, TSTE is composed of two attractions, the Klingon Encounter and the Borg Invasion 4D. (And no, I don't know what the fourth D is. I only counted the usual three.) Both of them have live action performances in which actors lead the visitors to various areas for various scenes, finishing in a spacecraft-shaped auditorium with some incredible filmed sequences taking you into the action (much like Star Tours, if you've ever been to one of the Disney parks). The Borg one was better, I thought, mainly because it's more recent, and more technologically advanced; it's based around the Voyager series. The Klingon Encounter was still pretty damned entertaining; it's based around The Next Generation.

But neither show would've been as much fun if we hadn't visited Quark's Bar and Restaurant first. Did I say I was going to skip the drinking? Guess not. Oh my good lord was it fantastic. It's modeled after the bar from Deep Space Nine, of course, and the drinks, oh the drinks! Little ol' nerdy me had a James Tea Kirk (which was basically an Electric Tea, if you know what that is**); my two nerdy friends had Mind Melds, which were some kind of peach-flavored rum concoction. Then we had a round of Harry Mudds (a shot of kahlua, Buttershots Schnapps, cinnamon liqueur, and Bailey's, I think, which my friends claimed tasted like an Oatmeal Cookie, and I had no reason to doubt them), then two more Mind Melds and for me -- I can't recall the name (something nerdy), but it was Vanilla Vodka, Godiva Chocolate Liqueur, Buttershots, and cream; tasted like chocolate milk, with a hell of a kick. And then we got crazy. Two women from our group joined us, so we ordered the Warp Core Breach. This goddam thing is served in a fishbowl. A chunk of dry ice at the bottom of the bowl created a cloud of smoke pouring out of it. Kind of like this:

Bartender, I would like a BUCKET of alcohol, and don't skimp on the dry ice.

In fact, exactly like that, only purple. And don't let the scale of that photo fool you; that glass is big as a bowling ball. Then all five of us got straws about two feet long, and we got to business. What's in it? It was delicious, and had a blackberry taste to it; I couldn't really tell you more about it than that. It's in a goddam fishbowl. What more do you need to know?

We also got a visit from some of the in-character employees; two Ferengi had an argument next to us at the bar, and then a Borg came by, saying that he was on the station "for observation purposes only". We took some pictures with him, and he stayed totally in character; when one of the women commented on his lack of a smile, he said, "I am familiar with 'smile'." When we thanked him for the pictures, he said, "Acknowledged." Neeeerrrrrrrrd Heaven.

Then we three nerdy guys went back upstairs to go on the rides. Shows. Whatever you'd call them. The entryway was lined with an insanely detailed Trek timeline on one side, and a Trek museum (biggest in the world, they claim) on the other, filled with costumes, props, photos, etc. Normally the line would be so long, you'd have plenty of time to absorb it all; that day, there was hardly any line at all, and we were staggeringly drunk, not quite in the frame of mind to appreciate it all, so we zipped right through it (except for some reason my friend Scoot kept pointing out Guinan's costume).

The Borg Encounter was first. It started with a costumed crew member leading us into a room and showing us a video on the wall screen; it was the Doctor, from Voyager, telling us some malarkey about how we had all been summoned because something unique in our DNA was highly resistant to Borg probes. His spiel was mercifully interrupted by a Borg attack. Our crewmember escort summoned security, and we were ushered through various other areas, in which Borg appeared, and engaged in battle. We three drunken nerds were highly wrapped up in it all, laughing, screaming, telling them to shoot the Borg! Annoying? Possibly. But our thinking was, if they're going to go to the trouble of pretending there's a Borg attack, why not be courteous*** enough to pretend we believe it?

Then into the seating area. It was an impressively large set, with a giant front viewscreen, two smaller screens to either side, and a "hatch" on the ceiling. With our 3D glasses on, we were treated to a spectacular movie sequence, involving the section we were seated in being carved out of the space station by the Borg, and being brought aboard the Borg ship. The Borg then injected us with their nanoprobes, simulated by blasts of air on our faces and pokey-crawlies in our seat backs and seat bottoms (which made me giggle like the Pillsbury Doughboy). We were confronted by the Borg Queen (whom I suspected was played by Alice Krige, the actress who originated the role in First Contact; when I looked up her name on IMDb, I found that not only was it indeed her, but also that the Borg Invasion actually has its own entry, as does the Klingon Encounter).

Captain Janeway and the Starship Voyager eventually came to our rescue, after five or six minutes of the most realistic 3D effects I've ever seen. A final debriefing by the Doctor, and we were released back into the real world. Which we immediately abandoned for the Klingon Encounter.

This was more of the same; the story hinged on the Klingons abducting our group of tourists because one of us was supposedly Jean-Luc Picard's ancestor. We were rescued by the Enterprise, and taken aboard the ship's main bridge, which was so beautifully reproduced it made me as happy as a little girl. On the viewscreen, a filmed bit with Riker and Geordi appeared, to fill us in on the blah-blah-blah, and then we were taken into the turbolift and sent to a shuttle pod. When the door closed on the shuttle pod, Scoot began poking all the fake buttons on the wall next to him, prompting one of the employees spying on us to announce over the intercom that we shouldn't bother touching the console controls, because they were DNA-encoded to respond only to Enterprise crewmembers. We loved that. Neeerrrrrrd Heaven.

Then began the filmed sequence (non-3D this time), in which our pod alternately tried to escape from, and engaged in battle, various Klingon vessels, with the Enterprise by our side. We then got zapped back to Las Vegas, and the battle continued over the Strip, zooming over and around various Vegas landmarks. So cool. At the end, as we exited the shuttle pod, an employee directed us onto an elevator that would take us to the exit. All three of us drunken nerds cheerily engaged him in conversation, right up to the second the elevator doors closed, at which point one of the other tourists asked us, "Do they pay you to be here?" which cracked up the rest of the group. It seems our unbridled enthusiasm actually helped the other people to have a good time; everyone was laughing and smiling at the end. Which was nice. Ah, sweet, sweet alcohol: makes everything better.

Coming soon in Tom's Vegas Review: the George Carlin concert.



*I started writing this post on the 22nd. So now I'm just back, plus a week.
**Even if you don't know what that is; frankly, your mixological knowledge has no effect on the drink, one way or the other.
***I.e., "drunk".

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Tuesday, November 23, 2004

Miss me?

I got back last night from a four-day weekend in Las Vegas, and I'm heading out to Thanksgiving vacation in Lake Havasu tonight. Before I left tonight, I wanted to post a couple of entries about Vegas, especially about the George Carlin show, and the Star Trek Experience, but those'll have to wait for when I get back home again on Sunday. So, sorry about the dearth of new content. But thanks to those of you who continue stopping by! Feel free to browse through my archives while you're here. And for those of you visiting via search engine, here is your picture of Misty May's ass:

Misty May's Ass

Happy Thanksgiving!

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