Thursday, August 07, 2008

An Album For Every Year

Yep, I'm really going to do it! Following up on my two lists of my favorite movies for each year I've been alive, here is my stab at the same kind of list, but for albums instead.

I'm keeping this list much briefer: just my #1 pick and one runner-up, and that's it. Arbitrary rules: no reissues, no greatest hits compilations. Original albums in the original years they were released only.

Source: mostly here. It's not perfect. There are a couple of omissions I noticed here and there. Such as: no mention of Hoyt Axton. What do you got against Hoyt Axton, the Internet??? Anyhoo, hopefully I can cobble together a genuinely representative list of my musical tastes from this and a couple other resources, along with the meager assistance of my memory.

1970: Neil Young, After the Gold Rush
Runner-up: The Beatles, Let It Be

1971: The Who, Who's Next
Runner-up: The Doors, L.A. Woman

1972: Neil Young, Harvest
Runner-up: George Carlin, Class Clown

1973: Elton John, Goodbye Yellow Brick Road
Runner-up: The Who, Quadrophenia

1974: Hoyt Axton, Life Machine
Runner-up: Joni Mitchell, Court and Spark

1975: Pink Floyd, Wish You Were Here
Runner-up: Bruce Springsteen, Born To Run

1976: Hoyt Axton, Fearless
Runner-up: Billy Joel, Turnstiles

1977: Pink Floyd, Animals
Runner-up: Fleetwood Mac, Rumours

1978: The Who, Who Are You
Runner-up: Van Halen, Van Halen

1979: AC/DC, Highway To Hell
Runner-up: The Clash, London Calling

1980: AC/DC, Back in Black
Runner-up: Pete Townshend, Empty Glass

1981: Billy Joel, Songs in the Attic
Runner-up: Rush, Moving Pictures

1982: Pete Townshend, All the Best Cowboys Have Chinese Eyes
Runner-up: Bruce Springsteen, Nebraska

1983: Huey Lewis & the News, Sports
Runner-up: Def Leppard, Pyromania
Man, we are really into the '80s now!

1984: Bruce Springsteen, Born in the U.S.A.
Runner-up: Van Halen, 1984

1985: John Cougar Mellencamp, Scarecrow
Runner-up: The Pogues, Rum, Sodomy & the Lash

1986: They Might Be Giants, They Might Be Giants
Runner-up: Peter Gabriel, So

1987: Guns N' Roses, Appetite For Destruction
Runner-up: John Cougar Mellencamp, The Lonesome Jubilee

1988: Metallica, ...And Justice For All
Runner-up: They Might Be Giants, Lincoln

1989: Tom Petty, Full Moon Fever
Runner-up: Don Henley, The End of the Innocence

1990: They Might Be Giants, Flood
Runner-up: Sinead O'Connor, I Do Not Want What I Haven't Got

1991: Red Hot Chili Peppers, Blood Sugar Sex Magik
Runner-up: Matthew Sweet, Girlfriend

1992: Barenaked Ladies, Gordon
Runner-up: Lemonheads, It's a Shame About Ray

1993: Liz Phair, Exile in Guyville
Runner-up: Sheryl Crow, Tuesday Night Music Club

1994: Green Day, Dookie
Runner-up: Bad Religion, Stranger Than Fiction

1995: Smashing Pumpkins, Mellon Collie and the Infinite Sadness
Runner-up: Alanis Morissette, Jagged Little Pill

1996: The Refreshments, Fizzy Fuzzy Big & Buzzy
Runner-up: Tom Petty & the Heartbreakers, She's the One

1997: Foo Fighters, The Colour and the Shape
Runner-up: Green Day, Nimrod

1998: The Offspring, Americana
Runner-up: Barenaked Ladies, Stunt

1999: Red Hot Chili Peppers, Californication
Runner-up: The Pretenders, ¡Viva El Amor!

2000: Barenaked Ladies, Maroon
Runner-up: O Brother, Where Art Thou? soundtrack
I think I may actually not own a single other album released in 2000.

2001: Dropkick Murphys, Sing Loud, Sing Proud!
Runner-up: Tenacious D, Tenacious D

2002: Foo Fighters, One By One
Runner-up: Bad Religion, The Process of Belief

2003: Fountains of Wayne, Welcome Interstate Managers
Runner-up: Therapy?, High Anxiety

2004: Green Day, American Idiot
Runner-up: The Donnas, Gold Medal

2005: Foo Fighters, In Your Honor
Runner-up: Kathleen Edwards, Back To Me

2006: Tom Petty, Highway Companion
Runner-up: Me First and the Gimme Gimmes, Love Their Country

2007: Foo Fighters, Echoes, Silence, Patience & Grace
Runner-up: Fountains of Wayne, Traffic and Weather

2008: Kathleen Edwards, Asking For Flowers
Runner-up: Foxboro Hot Tubs, Stop Drop and Roll!!!



I'm probably overlooking a few of my faves by mistake. But that looks pretty good as is. I'd listen to that jukebox!

Some years were very difficult to narrow down -- I hated to have to leave out Sugar's brilliant Copper Blue and Tori Amos's Little Earthquakes for 1992, or Therapy?'s Troublegum and They Might Be Giants' John Henry for 1994. Some years, I had trouble finding a runner-up at all. Mostly 2000 and on. My music-buying dropped way off around that point.

And there are obviously a lot of names which kept popping up. A lot. What can I say? I find what I like and I stick with it. Nothing wrong with that, dang it, so lay off. If you think you're so darn smart, why don't you go and make your own list?? Smart guy.

Labels: , , , , , , , , , , , , , , , ,

Sunday, July 18, 2004

MUSIC: There's one more kid that'll never go to school, never get to fall in love, never get to be cool

Occasionally, a piece of familiar music takes on entirely new significance due to the way it is used in a film or TV show. Quentin Tarantino is a master of this kind of recontextualizing (if I may use a $10 word) of music, the prime example probably being the innocuous lite FM hit "Stuck in the Middle with You" playing during the torture scene in Reservoir Dogs. Here are a couple of other examples in my life:

An obvious and corny one is Foo Fighters' "Next Year," which was used as the theme song on the TV show Ed. It was more a coincidence of timing than anything else which changed my perception of that song -- just as the title character returns to his hometown after a long absence, so did I return to my hometown around the time of the show's debut. I didn't buy a bowling alley or anything, but still, it was hard to listen to the line, "I'll be coming home next year," and not feel that the song was speaking to me in a new and personal way.

Blind Faith's "Can't Find My Way Home" (which I've mentioned before) was always a sweet and enjoyable tune to me. Steve Winwood's soulful voice over Eric Clapton's haunting acoustic guitar... good stuff. In college, it became a personal favorite, especially after one inebriated evening when a friend and I decided to do some exploration of the Berkeley Hills and literally couldn't find our way home. I kept wondering how long it would take the search crews to recover our rotting corpses, and thinking of that line from the chorus, "I'm wasted and I can't find my way home."

Then I watched the movie Fandango, and the song took on a new meaning for me. The film ends with the loss and heartbreak that come with growing up: A close knit group of college friends, at the conclusion of their last adventure together after graduation, have all gone their separate ways, probably never to see each other again. And Kevin Costner, still pining for the love of his life, has just swallowed his emotions and served as the best man in her wedding to his best friend. After everyone has gone, and he stands alone in the dark on a desert hill, the credits roll, and "Can't Find My Way Home" plays. And now, I can't hear that song without experiencing similar feelings of isolation and heartache. All because of a movie.

A song which became much more enjoyable to me after its onscreen use is Kid Rock's "Bawitaba." No, I'm not kidding. And if you've ever seen the first episode of The Shield, you know what I'm talking about. (If you haven't, go rent the DVD. Now.) I liked the song just fine to begin with, but it becomes a brutal, powerful anthem when coupled with The Shield's compelling anti-hero, Vic Mackey. In the pilot episode, we've seen that Mackey and his cadre of corrupt cops have drawn the suspicions of precinct Captain Aceveda, who arranges for a new cop, an informant, to join Mackey's crew. The crew's big assignment is to take down a major drug dealer. In the final four minutes of the episode, Mackey's crew carries out their raid on the dealer's house in near silence -- with "Bawitaba" blaring on the soundtrack. Mackey guns down the drug dealer, and then -- in the very last seconds of the song, and of the episode, Mackey pulls the gun from the drug dealer's dead hand and shoots the informant cop right between the eyes. Said up jump the boogie.

God damn if that wasn't the most shocking, powerful moment in all of television that year. And ever since watching it, I can't help but invest "Bawitaba" with equal power.

And earlier today, I finally watched Fahrenheit 9/11, which closes with Neil Young's soaring, scathing indictment of the first Bush's presidency, "Rockin' in the Free World." Didn't take much to repurpose it for Bush, the sequel:

There's a warning sign on the road ahead
There's a lot of people saying we'd be better off dead
Don't feel like Satan but I am to them
So I try to forget it any way I can
Keep on rockin' in the free world


I instantly knew I would never hear that song the same way again. Nor, I think, will anyone who sees that film.

Labels: , , , , , , , ,

Weblog Commenting and Trackback by HaloScan.com