Ojai Film Festival
My lovely hometown of Ojai, CA has just concluded its annual film festival. Sadly, I didn't get a chance to see any movies this year, but I did get a chance to admire the wonderful art done for the Festival's poster and catalogue, by Ojai's own Sergio Aragones (click the picture for a larger view; you can see Sergio, sporting his trademark handlebar mustache, in the middle of the page, slightly below and to the right of Peter Pan).
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(My posting of this art, by the way, has absolutely nothing to do with the fact that I just sent an email to Mark Evanier -- regarding a minor factual error in a recent Saturday Night Live-related post of his -- and am hoping that my posting art by a close friend and collaborator of his will make him view my blog with a favorable eye. Nothing whatsoever.)
I have a small anecdote about my experience volunteering for the Ojai Film Festival a couple years ago. Wanna hear it? Too bad:
I was manning the information hotline at Ojai's Tourist Board. Which was hardly a hotline; for the little work I had to do, it was a tepidline at best, probably even a frigidline. I wasn't getting a lot of calls, is what I'm saying. But then I got a call from Rich Thorne. (No, you're not supposed to know who he is. I'm about to explain it.)
"Yeah, I'm Rich Thorne," he said, after I answered with "Ojai Film Festival Information, how may I help you?" "I'm one of the filmmakers. Where do I pick up my filmmaker's pass?" This was a pass that would let him into all the private parties, screenings, etc.
Well, by remarkable coincidence, I already knew Rich Thorne was one of the filmmakers. The evening before, I had seen Mother Ghost, which he had directed, and which was written by and starred Mark Thompson, of L.A. (and nationally syndicated) radio's Mark and Brian. It was a surprisingly touching short film, about the main character's coming to grips with his mother's death, and was packed with stars I can only assume were doing Mark a favor out of personal friendship, from (the always sexxy) Dana Delaney, to Charles Durning, to Garry Marshall, to Kevin Pollak and beyond. I was a little thrilled that I had the director on the phone.
"Oh, I saw your movie last night!" I said with sincere enthusiasm. "Mother Ghost. I thought it was really great. And the audience really loved it, too. Good, good stuff."
And without a pause, without a single iota of acknowledgement of the compliment, as though I hadn't even spoken, with undisguised impatience and dismissiveness, Thorne said, "Yeah, look, where do I get the pass?"
So I told him. And I silently filed away the new knowledge that, for certain Hollywood types, the "thank" in "thank you" is only four letters long, and begins with "f".